For six months, artist Jennifer Rainsford will be exploring MAX IV - one of the world's largest research laboratories for synchrotron light.
Inside the ring-shaped MAX IV building on the outskirts of Lund, extremely intense X-ray light known as synchrotron light is produced. The light, which is not visible to the naked eye, is used by researchers from around the globe to study materials, molecules and biological structures at atomic and nano scale.
The facility's researchers will soon be getting some company. In March, they will be joined by an artist in residence.
"I am honoured to have been named the Artist in Residence at MAX IV, where I will continue the exploration of the invisible threads that hold our existence together. I am looking forward to sharing this journey and discovering new ways of telling the stories that unite us all," says Jennifer Rainsford.
Three hundred research projects at MAX IV
MAX IV is used for research in several areas including the development of medicines and treatments such as radiotherapy for cancer, diabetes prevention and more efficient batteries, sustainable fuels and new energy solutions.
In 2023, more than 1,700 researchers from 34 countries used the MAX IV research facility for more than 300 research projects.
"Welcoming an artist into our high-tech research environment gives us the chance to see our activities from a new perspective. It will be very interesting to hear about the observations and interpretations that emerge during the residency," says MAX IV Director Olof "Charlie" Karis.
Artist with experience of working with space physicians
Jennifer Rainsford has previously carried out long-term projects with researchers such as Michalis Averof (CNRS/ENS Lyon) and collaborated with space physicians at the European Space Agency (ESA).
"New perspectives can be gained through artistic interpretations of scientific processes. The research being done at MAX IV is often complex and difficult to make accessible for a wider audience. This is where art can contribute to better understanding, while giving the researchers new and hopefully enriching ways of approaching their work," says Anki Wallengren, pro vice-chancellor at Lund University.
The artist residency is made possible by a donation from the Gyllenstiernska Krapperup Foundation and is part of Lund University's long-term efforts to strengthen the convergence of art and science.
"The foundation saw great potential in supporting the convergence of art and science. MAX IV is a globally unique research infrastructure with strong regional roots. The facility nestles in Skåne's rich soil and offers an exceptional milieu for an artist in residence. Contributing to projects that unite research, culture and society aligns well with the purpose of the foundation," says Viktor Öwall, board member of the Gyllenstiernska Krapperup Foundation and pro vice-chancellor at Lund University.
A total of 68 people applied for the residency at MAX IV. The residency begins in March and will run for six months. Jennifer Rainsford will be the first artist in residence at MAX IV.
