Exploring Chinese Landscape Painting: Artistic and Cultural Impact

The Benevolent Person Delights in Mountains
Kan Tai-keung (1942-)
1983

The Benevolent Person Delights in Mountains

Kan Tai-keung (1942–)

1983

The University Museum and Art Gallery (UMAG) of the University of Hong Kong (HKU) will present Momentous Mountains: The Artistic, Philosophical and Cultural Engagement with Chinese Landscape Painting from February 28 to June 2, 2024.

The exhibition invites visitors to immerse themselves in the captivating world of Chinese landscape paintings from the collection of the UMAG, HKU. This series of paintings spans from the early Qing dynasty (17th century) to contemporary times. The represented artists come from diverse backgrounds and employ various approaches. They attest to the interdisciplinary nature and cross-cultural aspect of the genre, reflecting the influence of different schools, painting traditions and regional styles. The exhibition presents the depth and virtuosity of the development of Chinese landscape paintings, extending from the orthodox Four Wang Masters of the early Qing, the Nanjing School, the Jiangxi School and the Shanghai School of Chinese paintings. Rarely displayed in public, the paintings include iconic works by renowned 20th-century masters and influential art educators — such as Liu Haisu (1896-1994), Fang Zhaoling (1914–2006), Wan Qingli (1945–2017) and Wesley Tongson (1957-2012) — and other outstanding contemporary artists who trained in the leading Eastern and Western art academies.

This exhibition explores and reconsiders the profound connections between humans and the natural world, a theme central to Chinese artistic inquiry. Through their art, generations of Chinese landscape painters have sensitively and authentically conveyed their perceptions of locations, sites and landforms, providing viewers with insight into the connections between humans, places and spaces.

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