Nine local artists appointed for bushfire recovery program

This media release is being shared on behalf of Creative Recovery Network in partnership with Baw Baw Shire Council, Cardinia Shire Council, Latrobe City Council and Lifeline Gippsland.

Creative Recovery Network has announced the appointment of nine artists to participate in a new program designed to support community recovery and resilience building following the Bunyip, Yinnar South and Walhalla District bushfires in February/March 2019.

The program is a region-wide partnership between Creative Recovery Network and Baw Baw Shire, Cardinia Shire and Latrobe City Councils with support from Lifeline Gippsland. It is designed to build capacity among local artists to develop recovery programs in disaster-affected communities, as well as foster a sense of communal recovery through the facilitation of unique creative projects.

Three artists from each participating local government area have been appointed to the role of Creative Recovery Artist Facilitator:

  • Helen Timbury and Rebecca Vandyk for Baw Baw Shire;
  • Gülsen Özer, Sue Jarvis and Janine Good for Cardinia Shire;
  • Jo Caminiti and Margie Mackay for Latrobe City;
  • Jeremy Kasper who will work jointly across Baw Baw Shire and Latrobe City and;
  • Michael Wilkins, a documentary film artist who will work across the three areas to capture the project development.

The facilitators will be mentored in specific requirements for working in trauma impacted communities and will receive training in Mental Health First Aid and an introduction to Emergency Management.

Creative Recovery Network’s Amanda Gibson is lead mentor on the project, working closely with the facilitators throughout the process. Amanda is best-known for her work as project lead on ‘The Blacksmiths’ Tree’, a three-tonne stainless steel and copper gum tree sculpture created in response to Victoria’s Black Saturday bushfires in 2009.

On welcoming the newly appointed facilitators to the program, Creative Recovery Network Executive Officer, Scotia Monkivitch said:

“I am delighted to welcome our new artist facilitators and thank them for their commitment to the task ahead. In the face of enormous community challenges, it is essential that key recovery efforts come from within and are focused at a community level.”

“I am confident that the training and knowledge-sharing we undertake will leave a lasting legacy across the region by equipping artists with the skills to develop and expand recovery efforts into the future. We look forward to supporting them in creating impactful programs that can provide a meaningful space for connectivity, social cohesion and shared-experience.”

The commencement of the program marks the first segment in a multi-phase process for the development of recovery projects in the region over the next two years.

In response to the current impact of COVID-19, the artists are engaging with their communities through the development of a postal project. This creative consultation process will enable residents to engage in a postal exchange to share stories of their experience, ideas and hopes for their community’s recovery and growth into the future.

Ms Monkivitch emphasises that while the focus of this program is the bushfires which occurred in Bunyip, Yinnar South and Walhalla District in February/March 2019, stimulus plans in response to the recent season’s disaster impacts are currently in progress in partnership with state and national agencies to implement similar models across a range of impacted communities.

This project has been supported by funding from the Victorian Government.

About Creative Recovery Network

The Creative Recovery Network is a national network of artists working with communities as they prepare, respond and recover from natural disasters, assisted by the Australian Government through the Australia Council, its arts funding and advisory body.

The Creative Recovery Network demonstrates the value and importance of arts and culture in building disaster resilient communities from the ground up, so that arts and culture are given a ‘seat at the table’ when preparedness and response are being planned.

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